राग · RAGAपूरिया कल्याणPuriya Kalyan
MARWA THAAT
Puriya Kalyan
A raag joining Puriya-related movement with a prominent Pa. Komal Re and tivra Ma colour its phrases across both melodic regions.
◷ Late afternoon (15:00–18:00)
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AROHANA · ASCENT
S r G M^ P D N S'
AVAROHANA · DESCENTS' N D P M^ G r G r S
- Thaat
- Marwa
- Jati
- Sampurna–Sampurna Vakra
- Vadi / Samvadi
- Shadj / Pancham
The Marwa grouping, Sa–Pa emphasis and late-afternoon window follow Tanarang. Puriya Kalyan is distinct from Puriya Dhanashree. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Outlines do not replace phrase grammar. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Puriya Kalyan in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Raag Puriya Kalyan - Details & Bandishen - Tanarang Music ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026