Raag & Reel
RAAG & REEL

Compare two ragas

Puriya Kalyan

Thaat
Marwa
Arohana · ascending
S r G M^ P D N S'
Avarohana · descending
S' N D P M^ G r G r S
Vadi / Samvadi
Shadj / Pancham
Jati
Sampurna–Sampurna Vakra
Mood
Time
Late afternoon

The Marwa grouping, Sa–Pa emphasis and late-afternoon window follow Tanarang. Puriya Kalyan is distinct from Puriya Dhanashree. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Outlines do not replace phrase grammar.

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