राग · RAGAनारायणीNarayani
KHAMAJ THAAT
Narayani
A Hindustani adaptation of Narayani with Ga absent and komal Ni in descent. Its ascent resembles Durga, while the Ni–Dha region changes the return.
◷ Night (21:00–00:00)
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AROHANA · ASCENT
S R m P D S'
AVAROHANA · DESCENTS' n D P m R S
- Thaat
- Khamaj
- Jati
- Audhav–Shadhav
- Vadi / Samvadi
- Shadj / Pancham
The Khamaj grouping and Sa–Pa emphasis follow Tanarang. Sustained Dha treatment helps distinguish this account from Surdasi Malhar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Narayani in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Raag Narayani - Raag Details & Bandishen - Tanarang Music ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026