Narayani
- Thaat
- Khamaj
- Arohana · ascending
- S R m P D S'
- Avarohana · descending
- S' n D P m R S
- Vadi / Samvadi
- Shadj / Pancham
- Jati
- Audhav–Shadhav
- Mood
- Time
- Night
The Khamaj grouping and Sa–Pa emphasis follow Tanarang. Sustained Dha treatment helps distinguish this account from Surdasi Malhar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific.