Madhmad Sarang
A Sarang-family raag using komal Ni and omitting Ga and Dha. Its turns around Re and Pa distinguish it from raags sharing its pitch set.
◷ Afternoon (12:00–15:00)
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,n S; R m P n S'
AVAROHANA · DESCENTS' n P m R S
- Thaat
- Kafi
- Jati
- Audav–Audav
- Vadi / Samvadi
- Re / Pa
The outline, Re–Pa emphasis and noon–3 PM window follow Tanarang. Unlike Brindavani Sarang, this form uses only komal Ni; Sarang phrase treatment separates it from Megh Malhar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
Hear Madhmad Sarang in a familiar song.
Sources & further listening +
Raag Madhumad Sarang ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026