Madhmad Sarang
- Thaat
- Kafi
- Arohana · ascending
- ,n S; R m P n S'
- Avarohana · descending
- S' n P m R S
- Vadi / Samvadi
- Re / Pa
- Jati
- Audav–Audav
- Mood
- Time
- Afternoon
The outline, Re–Pa emphasis and noon–3 PM window follow Tanarang. Unlike Brindavani Sarang, this form uses only komal Ni; Sarang phrase treatment separates it from Megh Malhar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag.