राग · RAGAहेमंतHemant
BILAWAL THAAT
Hemant
An all-shuddha raag whose ascent omits Re and Pa. Descending phrases restore Re while treating Pa lightly, often through a glide or grace note.
◷ Night (21:00–00:00)
0 sourced songs0 film songs0 labelled raag-based0 YouTube recordings
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AROHANA · ASCENT
S G m D N S'
AVAROHANA · DESCENTS' N D P m G R S
- Thaat
- Bilawal
- Jati
- Audav–Sampurna
- Vadi / Samvadi
- Ma (shuddha) / Sa
The outline, Ma–Sa emphasis and 9 PM–midnight window follow Tanarang. An ascent resembling Bhinna Shadja does not make the complete raags identical. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Hemant in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Raag Hemant ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026