Hemant
- Thaat
- Bilawal
- Arohana · ascending
- S G m D N S'
- Avarohana · descending
- S' N D P m G R S
- Vadi / Samvadi
- Ma (shuddha) / Sa
- Jati
- Audav–Sampurna
- Mood
- Time
- Night
The outline, Ma–Sa emphasis and 9 PM–midnight window follow Tanarang. An ascent resembling Bhinna Shadja does not make the complete raags identical. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag.