Raag & Reel
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राग · RAGAगाराGara
KHAMAJ THAAT

Gara

A flexible light-classical framework using both forms of Ga and Ni. Compare phrase shapes and the lower-register turns with the linked examples.

◷ Anytime · flexible tradition

0 sourced songs0 film songs0 labelled raag-based0 YouTube recordings

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AROHANA · ASCENT

S R G R; G m P D; N S'

AVAROHANA · DESCENT

S' n D n; P m G R; g R S

Thaat
Khamaj
Jati
Sampurna–Sampurna, vakra
Vadi / Samvadi
Ga / Ni
Reading the notes ↗

The outline and Ga–Ni emphasis follow Sangtar. Timing varies: his account gives the second daytime prahar; Howlett discusses evening, night and a time-neutral tradition. This profile leaves the listening window flexible. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. These are introductory outlines; phrases, ornament and tradition give a raga its identity.

FROM THE CLASSICAL TO THE CINEMATIC

Hear Gara in a familiar song.

Song associations are being researched for this raga.
Sources & further listening +

Gara — Sangtar Raagkosh ↗Sangtar · Accessed Oct. 27, 2026

Gara — Raga Junglism ↗George Howlett · Accessed Oct. 27, 2026

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