Raag & Reel
RAAG & REEL

Compare two ragas

Gara

Thaat
Khamaj
Arohana · ascending
S R G R; G m P D; N S'
Avarohana · descending
S' n D n; P m G R; g R S
Vadi / Samvadi
Ga / Ni
Jati
Sampurna–Sampurna, vakra
Mood
Time

The outline and Ga–Ni emphasis follow Sangtar. Timing varies: his account gives the second daytime prahar; Howlett discusses evening, night and a time-neutral tradition. This profile leaves the listening window flexible. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave.

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