Charukeshi

Charukeshi brings a Carnatic melodic framework into Hindustani performance, with komal dha and ni.

◷ Late morning (09:00–12:00)

4 sourced songs3 film songs0 labelled raag-based4 YouTube recordings

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AROHANA · ASCENT

S R G m P d n S’

AVAROHANA · DESCENT

S’ n d P m G R S

Thaat: Unclassified
Jati: Sampurna–Sampurna
Vadi / Samvadi: Ma / Sa

Reading the notes ↗

Illustrative movement, not a complete performance grammar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; ’ = upper octave. Raga forms, thaat assignments and time conventions can differ by lineage. The linked references describe the approach used here. These are introductory outlines; phrases, ornament and tradition give a raga its identity.

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