Bihag

Bihag uses both forms of Ma. Its thaat classification varies between reference traditions.

◷ Night (21:00–00:00)

10 sourced songs10 film songs0 labelled raag-based4 YouTube recordings

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AROHANA · ASCENT

S G m P N S’

AVAROHANA · DESCENT

S’ N D P M^ P G m G R S

Thaat: Kalyan
Jati: Audav–Sampurna Vakra
Vadi / Samvadi: Ga / Ni

Reading the notes ↗

Illustrative movement, not a complete performance grammar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; ’ = upper octave. Raga forms, thaat assignments and time conventions can differ by lineage. The linked references describe the approach used here. These are introductory outlines; phrases, ornament and tradition give a raga its identity.

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