राग · RAGAभूपाल तोड़ीBhupal Todi
BHAIRAVI THAAT
Bhupal Todi
A five-note morning raag omitting Ma and Ni. Komal Re, Ga and Dha give a distinct colour within an outline resembling Bhupali.
◷ Morning (06:00–09:00)
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AROHANA · ASCENT
S r g P d S'
AVAROHANA · DESCENTS' d P g r S; ,d r S
- Thaat
- Bhairavi
- Jati
- Audav–Audav
- Vadi / Samvadi
- Dha (komal) / Ga (komal)
The Bhairavi grouping, Dha–Ga emphasis and 6–9 AM window follow Tanarang. Todi-like phrase movement distinguishes it from simply altering a Bhupali scale. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Bhupal Todi in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Raag Bhupal Todi ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026