Raag & Reel
RAAG & REEL

Compare two ragas

Bhupal Todi

Thaat
Bhairavi
Arohana · ascending
S r g P d S'
Avarohana · descending
S' d P g r S; ,d r S
Vadi / Samvadi
Dha (komal) / Ga (komal)
Jati
Audav–Audav
Mood
Time
Morning

The Bhairavi grouping, Dha–Ga emphasis and 6–9 AM window follow Tanarang. Todi-like phrase movement distinguishes it from simply altering a Bhupali scale. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag.

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