Adana

Adana favours upper and middle registers; its descent includes characteristic Kanada movement.

◷ Night (21:00–00:00)

4 sourced songs4 film songs0 labelled raag-based4 YouTube recordings

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AROHANA · ASCENT

S R m P d n S’

AVAROHANA · DESCENT

S’ d n P; m P g m R S

Thaat: Asavari
Jati: Shadav–Sampurna
Vadi / Samvadi: Sa / Pa

Reading the notes ↗

Illustrative movement, not a complete performance grammar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; ’ = upper octave. Raga forms, thaat assignments and time conventions can differ by lineage. The linked references describe the approach used here. These are introductory outlines; phrases, ornament and tradition give a raga its identity.

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