Adana
- Thaat
- Asavari
- Arohana · ascending
- S R m P d n S’
- Avarohana · descending
- S’ d n P; m P g m R S
- Vadi / Samvadi
- Sa / Pa
- Jati
- Shadav–Sampurna
- Mood
- Time
- Night
Illustrative movement, not a complete performance grammar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; ’ = upper octave. Raga forms, thaat assignments and time conventions can differ by lineage. The linked references describe the approach used here.
Example songs
Aap Ki Nazaron Ne Samjha ↗
Ai Dil Mujhe Aisi Jagah Le Chal ↗
Jhanak Jhanak Paayal Baaje ↗
Manmohan Man Men Ho Tumhi ↗
Full profile & sources →Darbari Kanada
- Thaat
- Asavari
- Arohana · ascending
- S R g m P d n S′
- Avarohana · descending
- S′ d n P m P g m R S
- Vadi / Samvadi
- R / P
- Jati
- Sampurna · Vakra descent
- Mood
- Gravity, depth and quiet reflection.
- Time
- Midnight Night
This is a simplified outline. Kanada phrases, slow oscillations on komal Ga and Dha, and curved descents are central to its identity.
Example songs
Ab Kahan Jayen Ham ↗
Ab Mori Vinti Suno Bhagwaan ↗
Basti Basti Parbat Parbat ↗
Chandi Ki Divar Na Todi ↗
Full profile & sources →