राग · RAGAसरस्वती केदारSaraswati Kedar
KALYAN THAAT
Saraswati Kedar
Tanarang’s compound combines Saraswati movement with Kedar-related Ma gestures. Both Ma forms contribute, while Ga is rare in descent.
◷ Night (21:00–00:00)
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AROHANA · ASCENT
S R M^ P D S'
AVAROHANA · DESCENTS' n D P; M^ P D P; M^ m R S
- Thaat
- Kalyan
- Jati
- Audav–Shadav, vakra
- Vadi / Samvadi
- Madhyam / Shadj
The composer’s publisher supplies the outline, Ma–Sa reference pair and 21:00–00:00 period. This is a separate compound, not an alias of either parent raag. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma. Unmarked octave positions are not inferred. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Saraswati Kedar in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Saraswati Kedar — Raag details and bandishen ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026