Raag & Reel
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राग · RAGAखटKhat
UNCLASSIFIED THAAT

Khat

A complex compound with contrasting Re, Ga and Dha forms. Its phrase grammar and the constituent raags differ across versions, so a bare note list is insufficient.

◷ Late morning (09:00–12:00)

0 sourced songs0 film songs0 labelled raag-based0 YouTube recordings

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AROHANA · ASCENT

Phrase-based; see the cited version and theory note.

AVAROHANA · DESCENT

Phrase-based; no universal scalar descent is imposed.

Thaat
Unclassified
Jati
Reference-specific / phrase-based
Reading the notes ↗

NCPA’s named Mashkoor Ali Khan performance and late-morning description supply the selected account. No single scalar outline is imposed. Khat Todi remains distinct. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma. Unmarked octave positions are not inferred. These are introductory outlines; phrases, ornament and tradition give a raga its identity.

FROM THE CLASSICAL TO THE CINEMATIC

Hear Khat in a familiar song.

Song associations are being researched for this raga.
Sources & further listening +

Khat — MUSIC IN MOTION ↗NCPA / University of Amsterdam AUTRIM · Accessed Oct. 28, 2026

Khat | SrRgGmPdDnS | Hindustani Raga Index | 365+ Ragas ↗George Howlett / Rāga Junglism · Accessed Oct. 28, 2026

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