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राग · RAGAजैतJayat
MARWA THAAT

Jayat

A five-note late-afternoon raag using komal Re and shuddha Dha, with Ma and Ni absent. Pa-centred curved Dha gestures are characteristic.

◷ Late afternoon (15:00–18:00)

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AROHANA · ASCENT

S r G P D P S'

AVAROHANA · DESCENT

S' P D P ; P D G P; P G r S

Thaat
Marwa
Jati
Audhav–Audhav
Vadi / Samvadi
Pancham / Shadj
Reading the notes ↗

The selected account is Tanarang’s Marwa-group form. Jait has other variants; this outline is not imposed on every performance bearing that name. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific. These are introductory outlines; phrases, ornament and tradition give a raga its identity.

FROM THE CLASSICAL TO THE CINEMATIC

Hear Jayat in a familiar song.

Song associations are being researched for this raga.
Sources & further listening +

Raag Jayat ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026

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