राग · RAGAजनसम्मोहिनीJanasamohini
KHAMAJ THAAT
Janasamohini
A six-note raag without Ma, using shuddha Re and komal Ni. Its relation to Kalavati is useful for comparing the effect of Re.
◷ Anytime · flexible tradition
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AROHANA · ASCENT
S R G P D n S'
AVAROHANA · DESCENTS' n D P G R S
- Thaat
- Khamaj
- Jati
- Shadav–Shadav
Khamaj grouping follows the source’s Khamaj-without-Ma comparison. Pa–Ga movement is highlighted there. No fixed listening window or universal vadi–samvadi pair is assigned in this profile. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
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Sources & further listening +
Jansammohini — Raga Junglism ↗George Howlett · Accessed Oct. 27, 2026