राग · RAGAहंसकिंकिणीHamsakinkini
KAFI THAAT
Hamsakinkini
A phrase-led raag using both Ga and Ni forms. Re and Dha are omitted in ascent; returns through Ga and Re shape its lighter gestures.
◷ Afternoon (12:00–15:00)
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AROHANA · ASCENT
,N S G m P N S'
AVAROHANA · DESCENTS' n D P m P G m P g R S ,N S
- Thaat
- Kafi
- Jati
- Audav–Sampurna, vakra
- Vadi / Samvadi
- Pa / Sa
The outline, Pa–Sa emphasis and noon–3 PM period follow Tanarang. A shared pitch collection does not make it identical to Pilu or Dhanashri. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. These are phrase outlines, not complete performance grammar. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Hamsakinkini in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Raag Hanskinkini ↗Tanarang Music · Accessed Oct. 28, 2026