राग · RAGAबैरागी तोड़ीBairagi Todi
TODI THAAT
Bairagi Todi
A five-note morning raag with komal Re, Ga and Ni, omitting Ma and Dha. Its Ga treatment draws on Todi-related movement.
◷ Morning (06:00–09:00)
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AROHANA · ASCENT
S r g P n S'
AVAROHANA · DESCENTS' n P g r S
- Thaat
- Todi
- Jati
- Audhav–Audhav
- Vadi / Samvadi
- Pancham / Shadj
This is the five-note account described by Tanarang, distinct from Bairagi Bhairav and Bhupal Todi. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific. These are introductory outlines; phrases, ornament and tradition give a raga its identity.
FROM THE CLASSICAL TO THE CINEMATIC
Hear Bairagi Todi in a familiar song.
Song associations are being researched for this raga.
Sources & further listening +
Raag Bairagi Todi - Raag Details & Bandishen - Tanarang Music ↗Tanarang Music / Acharya Vishwanath Rao Ringe · Accessed Oct. 28, 2026