Raag & Reel
RAAG & REEL

Compare two ragas

Shobhawari

Thaat
Asavari
Arohana · ascending
S R m P d S'
Avarohana · descending
S' d P m R S ; ,d S
Vadi / Samvadi
Dhaivat / Rishabh
Jati
Audhav–Audhav
Mood
Time
Late morning

The Asavari grouping and Dha–Re emphasis follow Tanarang. The komal-Dha form is kept separate from Durga. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific.

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