Raag & Reel
RAAG & REEL

Compare two ragas

Manj Khamaj

Thaat
Khamaj
Arohana · ascending
S R G P m; G m P D n D; P D N S'
Avarohana · descending
S' n D P m; G R G P m; G R S
Vadi / Samvadi
/
Jati
Vakra; variable phrase structure
Mood
Time

The illustrative phrases follow Howlett, with shuddha Ma prominent and tivra Ma available in broader treatment. Khamaj is an editorial browsing group inferred from the stated raganga, not a claim of one seven-note scale. No fixed principal-note pair or listening window is imposed. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Phrase treatment, not the note list alone, identifies a raag.

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