Raag & Reel
RAAG & REEL

Compare two ragas

Lanka Dahan Sarang

Thaat
Kafi
Arohana · ascending
S R m P N S'
Avarohana · descending
S' n D P ; m P D P ; g R g R S ,N S
Vadi / Samvadi
Shadj / Madhyam
Jati
Audhav–Sampurna Vakra
Mood
Time
Late morning

The Sa–Ma emphasis follows Tanarang. Dha and Ni usage differs by gharana, so the printed outline is a named reference rather than a compulsory scale for all renditions. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific.

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