Raag & Reel
RAAG & REEL

Compare two ragas

Gauri (Bhairav ang)

Thaat
Bhairav
Arohana · ascending
S r ,N S; S r G m P d P; P d N S'
Avarohana · descending
S' N d P m G; r G m G r; S r ,N S; ,d ,N ,d S ,N S
Vadi / Samvadi
Rishabh / Pancham
Jati
Sampurna–Sampurna Vakra
Mood
Time
Late afternoon

The Bhairav-ang form and Re–Pa emphasis follow Tanarang. Other forms named Gauri are not silently treated as the same raag. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe/comma mark upper/lower octaves. Phrase outlines are reference-specific.

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