Chandrakauns
- Thaat
- Unclassified
- Arohana · ascending
- S g m d N S’
- Avarohana · descending
- S’ N d m g S
- Vadi / Samvadi
- Ma / Sa
- Jati
- Audav–Audav
- Mood
- Time
- Night
Illustrative movement, not a complete performance grammar. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; ’ = upper octave. Raga forms, thaat assignments and time conventions can differ by lineage. The linked references describe the approach used here.
Example songs
San Sanna Sanna Sanna ↗
Full profile & sources →Malkauns
- Thaat
- Bhairavi
- Arohana · ascending
- S g m d n S′
- Avarohana · descending
- S′ n d m g S
- Vadi / Samvadi
- m / S
- Jati
- Audav–Audav
- Mood
- Deep stillness. A world after midnight.
- Time
- Midnight
Ga, Dha and Ni are komal. The relationship to Bhairavi thaat is a conventional classification; Malkauns has a distinct melodic identity.
Example songs
Aadha Hai Chandrama ↗
Aaye Sur Ke Panchhi Aaye ↗
Ankhiyana Sang Ankhiya Lagi Aaj ↗
Balma Mane Na ↗
Full profile & sources →