Raag & Reel
RAAG & REEL

Compare two ragas

Bilaskhani Todi

Thaat
Bhairavi
Arohana · ascending
S r g P d S'
Avarohana · descending
S' r' n d; P; P d n d m g r; r g r S
Vadi / Samvadi
Dha / Ga
Jati
Audav–Sampurna, vakra
Mood
Time
Late morning

The linked tradition describes an important resting Pa with frequent omission of Pa in flowing descents. The schematic movement includes that isolated resting note. Learn phrase treatment rather than treating the outline as a straight scale. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave.

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