Raag & Reel
RAAG & REEL

Compare two ragas

Bihagda

Thaat
Bilawal
Arohana · ascending
S G m P N S'
Avarohana · descending
S' N (D)P ; P D n D P ; G m G ; P m G (R) S
Vadi / Samvadi
Gandhar / Shuddha Nishad
Jati
Shadhav–Sampurna
Mood
Time
Night

The outline and Ga–shuddha Ni emphasis follow Tanarang. The short ascent omits Dha, though the broader treatment may include it; tivra Ma is described as rare. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma; apostrophe = upper octave; comma = lower octave. Outlines do not replace phrase grammar.

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