Raag & Reel
RAAG & REEL

Compare two ragas

Bhavmat Bhairav

Thaat
Unclassified
Arohana · ascending
S G m D n S
Avarohana · descending
S D M^ m G m P G (S) r S
Vadi / Samvadi
Gandhar / Dhaivat
Jati
Audav–Shadav, vakra
Mood
Time
Dawn

The creator’s account, translated within Howlett’s research, specifies dawn and Ga–Dha emphasis. It is treated as its own raag rather than reduced to a literal Bhairav–Lalit mixture. Notation: r/g/d/n = komal; m = shuddha Ma; M^ = tivra Ma. Unmarked octave positions are not inferred.

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